The work of Bristol sound co-founder the musician-producer, this sharp-edged if slight first film casts a critical gaze on 90s rave culture. Self-serving pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to break into his own family home. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The central theme – that the rave-era youth were primarily out for number one – is clearly conveyed. But these vignettes are too thin to properly prime us for what to expect when the Poacher turns up, fuming after David strangles his dog. Still, a grimly amusing standoff unfolds – David desperate to escape; the Woodsman denying his container of scrumpy, determined to soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Vibe
There is only one important plot development, but it leads to a hilariously staged chaotic run on the woodland paths that dips close to rural terror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the early stages, he now goes all out with the full lysergic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.
The film releases in UK and Irish cinemas from November 17.
